Welcome everybody to my Blog. I'm Carl Lamarre, and I'm currently a freshman enrolled at Howard University. I'm a passionate Journalist who thrives off conquering the impossible with simply a black ball pen. I intend on providing an eclectic representation of my writing for my viewers. This could range from essay writing,to articles i have written, and to poems. Please be courteous with your comments, and i would truly appreciate your feedback whether it be positive or negative. Thank You All
Wednesday, March 25, 2009
Bow Wow Interview (Ballerstatus.Com) Done 3/25/09
He's probably the most hated 22 year-old guy in the industry right now. Guys hate him. Girls love him. The media has a field day conjuring up various stories to belittle rap's former little guy. The thing is, Bow isn't little anymore. He's old enough to sit at the bar, have a Bud Light, converse with a MILF, and take her home in his Lambo. Still, people have trouble taking Shad Moss seriously. From his relationships woes involving the likes of Ciara, and Angela Simmons, to his premadonna attitude, Bow has taken shots in all angles. Yet, somehow, he manages to simply laugh, and remind cats why they ain't fresh as he is.
With Bow prepping for his 7th album titled New Jack City II, Mr. Lamborghini Moss, on a rush, briefly sat with Ballerstatus.com at Howard University to chat about his growth, and success.
BS: On your new single "You Can Get It All", I see you're doing the Nelly thing with the whole rapping, and singing on the record. What made you go that route?
BW: I really just wanted to try something different. For artists such as myself, it's really easy to get trapped into the whole zone of making records that are repetitive, and making songs that sound like the previous record that you might of made. So for me, it's all about reinventing myself. For now, and this day on, it's always going to be a challenge for me musically. Not only do I have to top the other singles, but make sure that they're different. So for this song, this the only time people were able to hear me sing, and really hear me harmonize a lot. That's what I was aiming for.
BS: Why don't you bust a note for the ladies real quick?
BW: I don't know man. (laughs) Maybe in the summer time.
BS: With that said, how do you feel when people say you try to emulate T.I. and Lil' Wayne in terms of swag, and flow?
BW: It's an honor. You know, those are my big homies. Like I said, Tip actually executive produced my whole third album with me. That was when me and Jermaine weren't talking at the time. That's my homie. You know, we both live in the same city. We go to games together. You know there's things that I do that he does that he gets away with because he's Wayne. So there's a lot of things that he does, that I do. But, that's what we do. We're boys. So it's only right when you hang around those guys, you easily blend into each other. So those are two dudes I would never mind being compared to. You know, I would be mad if they were comparing to--I don't want to say any names but, I don't know, somebody who is just totally wack. Someone who's just lame.
BS:In regards to your album, do you think New Jack City II will solidify yourself as one of the top rappers in the game?
BW:I don't know because I don't really consider myself a rapper. When I think about a rapper, I think of someone one-dimensional. For me, I'm more of an entertainer, because I could it all. You know what I'm saying? I could rock in whatever. Whether it's movies, or acting, but being a top rapper--nah.
BS:So in that case, lets switch over to the new school cats. How do you feel about the newcomers like Drake, Wale, Kid Cudi, etc?
BW: I like Drake. Drake is dope. All the way dope. Yeah Drake is dope. All the way, I think he's definitely going to blow. Like all the way. Out of Wayne's camp, he's going to be that one.
BS: With being in the entertainment industry, how do you feel you've progressed as a rapper, and as an
individual?
BW: Oh man, by staying strong you know what I'm saying? Hopefully I've been doing it good. For me to be on my seventh album, I must be doing something right. Whatever the formula is, I'm going to try my best to stay on it. (laughs) Personally, man just staying strong minded really. It's so easy to get caught up. It's so easy to lose your cool. I just think by having a mellow head, and being me, that really just got me by.
BS: Well you've had platinum success, acted in numerous movies, and had a clothing line at the tender age of 22. Now what will Bow have in store for his fans when he's 30.
BW: (laughs) 30? That's crazy. I don't know man. You know whatever god has planned for me, that's what we're going to do. You know, I've never been the type to try to think ahead of time. I'm always trying to take one thing at a time. I go day by day. So hopefully the route I go is a good route. Hopefully I could stay on it.
BS: Being that you are on a college campus right now, do you feel at times you wish you could have experienced the whole college life?
BW: Nah. I always had a hard time being around a whole lot of people. Like being around a lot of people. When I'm on stage it's different. I just have this thing about walking, and being in the mist of crowds. I don't know it just trips me out. (laughs)
BS: Cool man. Well Dolicia. I need to know. What's good with that?
BW:Nothing. She does videos. I rap. (laughs) That's it.
Wale Interview (Ballerstatus.com) Coming Soon On Site
Before many people deemed DC as a place notorious for Nike Boots, and Mambo Sauce. Now, the District of Columbia has become synonymous with the ardent lyricist named Wale. Dubbed as one of XXL's top freshmen to break out in 09, Wale has been on the verge of toppling his adversary with his cogent wordplay, and innate flow. With praises from people like Jay-Z and Kanye West, Wale is footsteps away from breaking and entering the game like a smooth criminal. In an interview with Ballerstatus, Wale talks about his early successes, his love/hate relationship with his hometown, and why the Redskins won't make the Super Bowl.
BS: I remember you telling me you were on tour with Q-Tip & Statik Selektah in Australia. How was that whole experience?
Wale: Yeah. I mean it was a lot of fun. It's far away. It's probably the farthest you can get from the United States. But, it was good you know? I got a lot of opportunities to talk to different artists from other places and stuff.
BS: I was reading an interview that came out with Statik for HipHopGame. What's this I hear about you and him possibly working together?
Wale: Yeah man. I didn't even know he mentioned that, but he's going to start sending me records, and we're going to work on some stuff together. I really like his stuff.
BS: Is this going to be on an album, or a new mixtape?
Wale: I mean you never know--it's going to come out though, you know what I'm saying? Whichever way we can do it. We might do it for the mixtape, we might do it for the album. You know, I just think he's one of the hottest dudes out.
BS: It's rare for newcomers like yourself to have opportunities without an album even out. What do you accredit your early success to?
Wale: Just non-stop promoting and try to create awareness.
BS: I was reading an article in Smooth about how your childhood consisted of Seinfeld, sneakers, and porn. How does that contribute to your rap skills?
Wale: (laughs) I mean I just take light of everything I see. You know it's good to be descriptive when you write or when you're making songs or whatever. That's what I do. I mean it comes from all those different things.
BS: You're from DC. What do you want to showcase to the audience who are unaware of the DMV (DC, MD, VA)?
Wale: I mean I could just paint my picture of it. Everybody who lives in DC has a different view of it. I could just give you mine, and hope a lot of people have the same views or understand mine.
BS: A lot of people are familiar with DC being a place for Go-Go music. How important is it for you to showcase people DC from a rap's perspective?
Wale: I mean it's just important to show anything new to the world that they don't know. It's a genre that's been around for so many years. So it's just important that--you know it's just like history. You gotta know those kinds of things other than what you are already familiar with.
BS: Last year, I heard the Mambo Sauce record with you and Tabi Bonney. On your album can we expect any Go-Go tracks?
Wale: You're going to get some hints of it here, and there, but It's not going to be a full-on Go-Go project, because I'm doing a UCB project after that's going to be more Go-Go or pretty much all Go-Go.
BS: I noticed a lot of people normally get support from their hometown, but I recall that you said in an interview that it's been hard trying to win the DC people over. Do you still consider yourself an underdog in your own hometown?
Wale: I think I'm an underdog everywhere, but that's just me. I mean it's kind of difficult to explain. I could go to any high school or middle school and it would be like a fight to get to me. At the same time, theirs a lot of heavyweights. Like whether they're on radio, or if they're influential in their communities, theirs just not any support in what I'm doing for whatever reason.
BS: The track "Nike Boots" was filmed here at Howard University. What was the concept about doing the video during their homecoming?
Wale: I think it was important to show DC. That's what a lot of people put together with Howard Homecoming. So I just put two and two together in terms of showing DC, and what they're familiar with, and show them what they're not familiar with.
BS: How did you guys do it? I know Chris Robinson was there. So did you guys just film the whole performance?
Wale: Yeah we filmed everything that weekend. All that was shot in the Howard Homecoming weekend--Thursday, Friday, and Saturday.
BS: With you being on the cover of XXL with Charles, Corey, Curren$y, and the freshman class, do you feel this class could essentially bring back the essence of hip-hop which everybody has been crying for?
Wale: I don't know man because I don't know if the fans are ever going to be satisfied. They're always going to find somebody that they don't like or many people that they don't like. So I just think Hip-Hop, the fans in general will never be satisfied. I guess that's fine but there was a point in time where the general consensus would agree to be satisfied.
BS: Back to the "Nike Boots", your video has been getting play on MTV U. When you see the video on TV, do you ever think to yourself like "Damn."? Has it sunk in yet?
Wale: Nah. I mean, I'm more excited about having a record deal. Anybody could have a video. I see a lot of videos. Like I just think, "Damn, I have a record deal. I'm part of Interscope records, a historic label." So that's more of like taking a step back, and taking it in.
BS: Since you are part of Interscope, do you ever feel you have big shoes to fill because you have Eminem & 50 over there?
Wale: I mean I compete with those dudes. They don't know who I am probably, but I'm going to compete to catch up with them. I'm just going to do it my own way. Everybody has their own way, and I'm just going to try to do it my own way. I think my road is a little bit more challenging, but you know?
BS: So with your debut album, what are your expectations? Are you creatively in-sync with this album, or are you more concerned with the sales?
Wale: I just wanna make a great album. Sales, you can't control that. You know it's either they're going to buy it, or they're not going to buy it. If they're going to download it, they're going to download it. They're not going to do it, if they don't wanna do it. So I can't control that. I don't even try.
BS: Is a major label like Interscope cool with all the free mixtapes and songs you release?
Wale: I mean I don't over do it, you know what I’m saying? I don't over do it, or do it overboard.
BS: I know you're signed to Allido which is Mark Ronson's label. How big of an influence has he had on your mixtapes, and album so far?
Wale: I mean he opens your eyes to different things and whatever. I did the Nickel-eye. I did the J.U.S.T.I.C.E. stuff. I'm doing some other things.
BS: How about Cool & Dre. I know they helped out on the album. Did they do a good portion of the album?
Wale: Yeah they did a nice portion of the album. They did a couple things with the album, which I can't say because they didn't finalize yet. So I can't really say how much percentage wise, but we did a couple songs together. We did like five songs together.
BS: I've noticed you been getting some praise from people like Jay-Z, Kanye, The Roots, and 9th Wonder. How does it feel to be in a big circle like that?
Wale: I mean now it's more or less you feel like you gotta show everybody why. Now or less it's more like look you going to a high school where your brother is the starting quarterback and went onto Florida State, and you coming in from the 9th grade. So at some point, you gotta show them what you gotta do.
BS: How did you get Travis Barker on your album?
Wale: Some people are just fans of other people. Some people follow other people. It wasn't that hard. A lot of people appreciate what you do. He helped me on one track for the album.
BS: Is "Chillin'" still the first single, and if so, when can we expect the video?
Wale: Yeah "Chillin" is the first single, and the video will drop in May.
BS: So can we expect you to throw the Roc Sign up in the video?
Wale: (Laughs) Nah man cuz I mean it's something different. The relationship is a little different. It's just something--that's sacred. That's something else. You know that's like family though still. On my side, and their side, it's family. I talk to [Young] Chris sometimes, Free[Freeway], Beans[Beanie Sigel], and Jay. It's still family.
BS: The reason I asked is because I know you just signed a management deal with Roc Nation. How did that come about?
Wale: Yeah, you know just being on Allido you meet a lot of people and Rich Clement has been very influential in a lot of my moves. He kind of just took me around.
BS: I was listening to your "Mr. Carter" freestyle. Were you really pissed that all these rappers were jumping on "A Milli"
Wale: (Laughs) I wasn't really pissed but you know I was kind of like "Man is everybody going to do this." I found myself about to do it, but you know I was like Nah.
BS: Another thing I heard you say was that you said you wish it was 03. Why was that?
Wale: Yeah I think it was a lot more fun. Like I remember those times. The summers with the throwbacks, and it was just a great time. Everything was better. Like Black College Weekend at Kings Dominion, and all that. It was just better.
BS: I know you were a real football star back in the day. Being a DC native, with the Redskins just getting Albert Haynesworth, what do you think of their chances of winning the super bowl?
Wale: They don't significantly change. I have yet to see a defensive tackle come to a team and take from eight to eight to a Super Bowl. So I don't think that's going to happen this year. I mean as much as I would really want it to. I think theirs bigger issues on our team but we have a great defensive tackle, and a great linebacker with Marcus Washington.
BS: You know you guys lost Jason Taylor too right?
Wale: Yeah. (laughs) He wasn't doing nothing for me anyway.
BS: If Clinton Portis was done for the year, and they asked you to put the kleets on, would you be able to play?
Wale: Yeah in a heartbeart.
.
Wednesday, March 18, 2009
J Holiday Interview (Ballerstatus.Com)
Shout Out To My Man Christopher Coward Who Filmed The Interview
Thursday, March 12, 2009
Slim Thug Interview (HipHopGame.Com)
link: http://www.hiphopgame.com/index2.php3?page=slimthug
HHG: First off man, you haven’t been out on the scene for a couple of years. What made you decide that this time would be perfect for a comeback?
ST: It wasn’t like I was waiting on a certain time or something. I was waiting on the opportunity to do it. I was signed to Interscope/Geffen, and we couldn’t get it together. So it was like, I was stuck over there. I couldn’t do shit. I couldn’t put nothing out. I was just waiting for them to get me out of that contract. We were going back and forth, and I finally got out of there. Soon as I got out, in July, Back by Blockular Demand: Serve & Collect II. Now I’m dropping my album man. We’re going to try and keep it moving.
HHG: I remember speaking to Slim from 112, and he said with you being independent, you’re making more money than people on majors. How true is that?
ST: Yeah that’s definitely true because if you think about it--if you’re on a major label, and sell 100,000 records, you’re not going to get no money from that album. You’re not going to make zero dollars. If you sell 100,000 independent, then that’s damn near a million dollars. That’s the difference right there. It’s harder work; you know what I’m saying? It got its pluses, and it got it minuses, but this works out better for me, because I came in the game independent. I know how the whole independent game is. I already had a following before I got a deal or whatever. I had my own fans already.
HHG: On The “Ain’t I” freestyle, I remember you said “Ain’t I get money with or without the deal. So during this time of recession, I’m assuming money isn’t an Issue for the Boss.
ST: Nah man. It’s bigger than being with or without a deal. It’s about being smart man, and not doing stupid shit. It’s just being smart, and not being a dumb ass. It’s not about making it rain, and throwing a bunch of dollars up in the club. I try to be cool about shit. A lot of rappers especially when they get a deal, they get one big check because they got one hot record. Then, they start balling out of control, and fuck all their money up. That ain’t like that with me. That’s never going to be like that with me. I always think smart. If I spend money on something, then I’m going to be able to get something back from it. Feel me? That’s my rule. If I spend money, then I gotta get it back.
HHG: How has the transition been for you moving from Interscope to Koch?
ST: Ah man that been good man. I ain’t gon’ lie. I mean like Interscope is one of the biggest labels, and one of the best labels in the world, but it don’t work out for everybody. That big machine can’t always work for all artists you know what I’m saying. It just so happen that it couldn’t work for me. Bigger than that, I just never got on the same page with the new staff. After they changed staff, I never got on the same page. So I was ready to go. But, I had fun at Interscope. I love Already Platinum. From everybody I worked out. From Star Trak, to my old A&R, to my initial A&R, I had fun. I’m just ready to do it independent.
HHG: Another thing I noticed was I recalled the camaraderie in Houston was very tight. Like when “Still Tippin’” came out, it appeared you and Mike were cool? Has the relationship cooled off?
ST: Nah it ain’t really that. It ain’t that it’s me, or him beefing on some shit like that. I know they tried to make it like that in the interviews. I was just saying, I hadn’t talked to him. Usually we would holla’ at each other, but I haven’t talked to him, you know what I’m saying? That’s what I was saying in that interview. Nah we still cool. You know, I root for Mike Jones. I was just saying that he needs to come back out. For a minute, he got into that shit with Trae, and nobody knew where he was. It was just everybody was like “Have you seen Mike Jones?” That was the question. I was just like “Damn. I hope he ain’t trippin’ over that Trae shit.
HHG: Ever since the Ozone awards, he’s been real quiet, and somewhat depressed.
ST: I don’t know what the fuck it was. I was just like saying if that was the case, take that bullshit out. You a little nigga. Trae bigger than you. So I wouldn’t expect him to win. It’s like a lightweight fighting a heavyweight. You would expect for the motherfuckin’ light weight to lose. So it ain’t no big deal.
HHG: I remember in an interview Chamillionaire did with XXL. Chamillionaire said how Texas was dead in terms of the rappers not being relevant. With Scarface retiring, and UGK dropping their last album, what do you think it will take to make Texas relevant again?
ST: I’m trying to do my part man. All these artists you named, I’m working with them. We came out when everybody seemed tight, then it got kinda quiet or whatever. On my album, man I got everybody. I got Mike Jones, Paul Wall, and Chamillionaire. You know the whole city. I got Z-Ro, Trae, and Truth. I got everybody. I got Scarface, UGK, and everybody. Everybody you named, I got them on my album. I’m just trying to do my little part in trying to bring the city back man. I’m sure everybody else is doing their part too. You got Chamillionaire, Paul Wall, and Mike Jones who’s all about to drop too, so it should be a great year for us man.
HHG: Sounds like you’re trying to make this a Houston album?
ST: That’s what it is. It turned out to that. Man I recorded a gang of songs. In all, it was 200 records. At the end of the day. When I was finally putting an album together. I was like “Look man, I kinda wanna do this. I wanna put the Houston artists.” The people are saying that Houston is dead, and whatever, but I’m we got so much talent. I’m still jamming to these dudes music, and loving everything that they’re doing. I was like, “Look, let’s just all work together as a movement.” In my mind, I was like “let me grab this nigga. Let me grab this nigga. Let me put all these dudes on this album.” I’m just trying to help the movement, and represent my city to the fullest.
HHG: So I know you recorded a lot of records for the album. Are the records that didn’t make the album going to be on I Represent This 2 mixtape.
ST: Nah. There’s a few probably on there. Man I got so many spread, I could leak one once every week. I’m going to stay leaking it. I’m going to stay leaking the records or whatever. It’s like at the end of the day, I picked out the ones mainly from my city. Not just rappers, but producers. You new cats, old cats, all of them.
HHG: What do you think about the mixtape scene as of now? Do you feel it’s gotten worse?
ST: Man, I think it ain’t really at its best. I think it could be salvaged, and brought back. Niggaz gon’ just have to have a CD that you could really play out the trunk again. I got a rapper who’s on the road with me named Lil’ Rick. He out here, in the mall and shit, selling 20-30 CDs, and we ain’t been here for an hour. That’s $300 dollars. You just gotta have that hustle. Motherfuckers out here always wait on somebody to hand them something. You gotta go out there and get it man, and grind for it.
HHG: I know on this album titled the Boss Of All Bosses you actually worked with Scarface. How was that experience working with him?
ST: Ah it was a blessing. I worked with him for the first time on his last album. On the album, he just put out; he got me on a song. That was just a blessing itself. He called me, and he was like “I got this record. Man come through here” I went on and did it man. It came out good, and that was a blessing itself. To be on a Scarface album, and to work with the dude I grew up listening to was great. He’s one who I respect, and who I think is the best to come out of Houston.
HHG: I know you said you’re real big on bringing back that Houston love. How do you try to help people like Z-Ro & and Trae who are underground, and try to get them some recognition to people who are unfamiliar with Houston?
ST: Man, I don’t know. At the end of the day, them dudes have a fan base so out of control—out in Austin, Texas, and even outside of Texas man. The thing is, they’re underground legends. They might be on BET or whatever, but these got a fan base and a following so strong man that’s it crazy. Maybe if I put them on my album, people will see that a little more. It’s just like how I’m on Z-Ro, and how I’m on Trae’s album. We all working together man, so it’s all good. I think as soon as we keep doing that, then at the end of the day, we could all share our audience with each other. If they do a record with me, more people will wanna hear them. If I do a record with them, then more people will want hear from Slim Thug.
HHG: As for the album Boss of all Bosses, can the fans expect any Neptune Productions?
ST: He ain’t on there. He got on there too late. I wanted to do it just to let everybody know that we ain’t beefing, but we got together too late. We were just kickin’ it at the Grammy’s, but we ain’t never get the chance to get into the studio man, and do the shit. We had this one record, but Nelly had ended up getting that motherfucker. So we ain’t never had the chance to get back into the studio. But, me and P, are definitely gon’ get together on the next one. You know, as soon as I see him, we just gon’ get in the studio, do the record, and have it ready for the next album.
HHG: Who can we expect production wise on the album then?
ST: Ah man, I got Jim Johnson of course. He did the “I Run” single. He did another record that people like more than “I Run” which was for the radio people, and more for the ladies. But I didn’t wanna come out do a record for the females after being gone so long. I just wanted to keep it street, and keep people familiar with the same shit I’ve been on. I got Mannie Fresh, Cannon, Mr. Lee, Mr. Rogers, and they’re from Houston. It’s a lot people you probably never heard of, but they have a whole lot of talents.
HHG: When Lupe made “Hip-Hop Saved My Life”, he dedicated the record to you. How does it feel to receive that amount of respect from another rapper?
ST: That’s love man. That ain’t nothing but love. My nigga Lupe, I think he one of the best in the game. For him to be inspired and to make a song about my hustle man, it’s just a blessing. It’s love. Real talk.
HHG: With your album being titled Boss Of All Bosses, I wanted to ask you, there’s another man who refers to himself as the Boss, and his name is Rick Ross. Who’s more of a Boss you or Rick?
ST: (Laughs) I respect Rick man. Rick jammin’ real talk. I just kicked out with him in Orlando, and we did a show together. We did a record matter fact in out of the 200I recorded. I was supposed to get T.I. on it, but I never did. I might be leaking that song too. Nah me and Rick, we ain’t on some trip shit like the man (laughs). You know I respect all the bosses. Not just him, but all the other bosses. Even dudes who don’t even called themselves bosses that came from nothing to something, and run their shit man. It ain’t no competition man. It’s all about having fun man. It’s about getting money, and having fun.
HHG: You know T-Mac is done for the year. How do you feel about the Rockets chances in the playoffs man?
ST: I don’t know man. We’re fucked up man. T-Mac is playing games man. He my partner, but he playing games man real talk. We spent a lot of money on dude, and he ain’t showing up. I’m mad.
HHG: Yeah man. He keeps getting hurt. He must be old or something.
ST: I don’t know man. I don’t know. I’m running out of excuses for him man. You know I’m sick, and I’m about to do something about it. (laughs) We might have to do some trades or something.
Man the album in stores March 24th. Log onto Bosshoggoutlaws.com, and Myspace.com/Slimthug. It’s some of the freshest websites out there, and people talking about it. Go check it out man.
Monday, March 9, 2009
Makeba Riddick: Songwriter Extraordinaire (Ballerstatus.Com)
Makeba Riddick: Songwriter Extraordinaire
Published: Monday - March 9, 2009
Words by Carl Lamarre
http://www.ballerstatus.com/article/features/2009/03/6470/ (Link For Interview)
Many people lack the innate ability to simply pen a masterpiece. With a dose of precision, mixed with a hint of witty lyricism, the penmanship of Makeba Riddick has proven to be fierce. Her ability to pen a record with the speed of Sonic the Hedgehog, but with the diction of a scholar, has the young songwriter collabing on arguably the biggest hit of 2008 -- T.I.'s "Life Your Life." Thanks to this hit, the eclectic Riddick has allowed herself to be uttered in the same breath of -- dare we say -- Brian Michael Cox, The Dream, and many others.
Makeba has entered the upper echelon with her amazing writing prowess. In an interview with BallerStatus, Ms. Riddick has decided to let her hand take a break, and let her voice doing the talking.
BallerStatus.com: What was the process going into the "Live Your Life" record?
Makeba Riddick: Well it's an interesting story behind that record. That was a collaboration at its best because I was in London working with Black Eyed Peas doing some stuff, and I was on my way home. My manager called me with T.I.'s A&R and were like "Oh, we want you to work with Rihanna on this T.I. record." I was like "Great," because I was in London, and she was in Italy, and we needed to do the show in Italy because she had a show there.
BallerStatus.com: In terms of rappers and lyricists, who are you fond of?
Makeba Riddick: Growing up, I was a huge Nas fan. I would dissect Illmatic, and write down lyrics to every song. I could recite it to you backwards, and forwards in middle school and junior high school. Big huge Nas fan. Big huge Jay-Z fan, of course. I even liked A Tribe Called Quest, and Busta Rhymes. Yeah I think those were like my favorites until along came T.I.
BallerStatus.com: For the fans out there, can you tell them the records you have done?
Makeba Riddick: I've been on every one of Rihanna's album. I've been on [Beyonce's] B-Day. I co-wrote songs on her last album like "Upgrade U", "Get Me Bodied", "Deja Vu", "Suga Mama". I've worked with Tony Braxton on her last album. I've worked with Jessica Simpson, JoJo, B2K and Omarion when I first started out. So yeah, I worked with a few people.
BallerStatus.com: That's a real diverse group. How big do you think diversity is in terms of being a songwriter?
Makeba Riddick: Well, I mean it depends on what type of writer you want to be. I can't be put into a box, and just be titled or tagged as an "urban" writer because I'm not. I listen to all types of music. I listen to John Mayer, The Killers, Pink Floyd, Faith Hill, Slim from 112, and Beyonce. So, I have such a broad range of music that I listen to that comes out in my writing. That's just the type of writer I am.
BallerStatus.com: Out of all the people you just mentioned, which was the most enjoyable experience?
Makeba Riddick: I've enjoyed working with all the artists that I've worked with. I think working on the B-Day album, it was so much fun. It was like a slumber party. Everyday it was like a party up in that piece, and it wasn't a lot of us. It was her (Beyonce) team that she wanted to work with, ultimately, and closely with. We had a ball. Like when you hear Beyonce, you think about the biggest artist alive of our generation, but it didn't feel like "I'm coming to work with Beyonce." It was just a lot of fun.
BallerStatus.com: You would think somebody of her stature would have such a huge ego.
Makeba Riddick: Oh my goodness. I think that's why we were able to come up with the fun records that we did because she was so cool. I mean, at the end of the day, all these artists are regular people. She's a regular girl just like me, you, or anybody else. Like her sister, her cousin, and anybody else. That's who came in the studio everyday. It wasn't Beyonce, the "superstar." It was Beyonce the girl who has feelings, who gets happy, excited, mad, and disappointed. So all of that came out in writing those records.
BallerStatus.com: Coming up who were you influenced by?
Makeba Riddick: Coming up, I was influenced by Mary J. Blige, just being in high school listening to her records. I was very influenced by Mary. I was very influenced by -- this may be before you time -- but a group called Jodeci. I was very hugely influenced by Devonte Swing, who was the producer and writer of that group. I would look at the credits like "Oh my God, he produced all of this. He's a genius." That really inspired me to want to be in the music industry. Also Andre Harrell. That whole Uptown era, I think, put the sparkle in my eye to say, "I want to do that". Missy Elliot, of course. Just to see her name on the credits as a female producer really inspired me so.
BallerStatus.com: As for songwriters, are there any songwriters you look at, and you're like "Yo, that person is dope?"
Makeba Riddick: Pharrell being one of them. The Dream: I think he's incredible. He has incredible swag on his records. Johnta Austin: I think he's a very classic, soulful songwriter.
BallerStatus.com: Was there anytime you were like "All these records I'm putting out, they're hits, but at the same time, instead those person's vocals, they should have been my vocals?"
Makeba Riddick: Nah. I never get like anything "should of been" because if "should of been," it would have been, in my opinion. I'm not driving. I have God driving. He has the wheel. So when it's time, it will happen. I'm never looking at anything like it "should of been," because everything that is suppose to be is going to be.
BallerStatus.com: So I'm assuming it's going to be God's decision on whether we will see an album come out from you?
Makeba Riddick: Hopefully yeah. Hopefully, one day, that door will be opened for me, and it will be the right situation that I feel I want to walk into.
BallerStatus.com: You already know we're in a recession, like Jay said "It's depressing" (laughs). But in terms of being a songwriter, are you "balling?"
Makeba Riddick: (laughs). I think everybody's definition of balling is different. Compared to Jay-Z? No, I'm not balling by any means. I'm blessed. I've came a long way from where I used to be.
BallerStatus.com: You know the misconception about songwriters is that they write the song, and everything. How much credit, in terms of money, do they receive?
Makeba Riddick: Well, it's really based on airplay. Then there's royalties. There's performance royalties. Then regular airplay, video airplay, getting your songs on TV, film. Of course, album sales, digital sales, and ringtones. So, it's kind of hard to be in a recession when you're in my profession. I mean I'd hate to put it like that (laughs).
BallerStatus.com: So for example let's say the "Live Your Life" record, how much money have you grossed thus far?
Makeba Riddick: Well it takes nine months for the domestic royalties to be tallied up. Then it takes another nine months, which would be 18 months to see the international royalties. So it's no way for me to tell six months into the record. You could go to Media Base or BDS to see how many times the record has been downloaded to a ringtone. You could kind of gage maybe, but you never really know, because you don't know how many times it's been downloaded in the UK or in Japan. Or, how many times it's been used for commercials in India. You don't know until those checks come in.
BallerStatus.com: How many records have you had in the top 10 at the same time?
Makeba Riddick: Probably around last year during the B-Day phase. "Deja Vu" was like #2. "Upgrade U" was like #12. "Get Me Bodied" was like #10. So it was like three records in the Top 10, Top 20. So it was good. You have those moments when you have those multiple records out, and when you have these moments when you have a record that's just unstoppable. Just the biggest record of the year.
Avant Interview ( Ballerstatus.Com) Throwback Interview
Published: Thursday - December 18, 2008
Words by Carl Lamarre
Avant
Avant (Photo: Capitol Records)
The R&B game has an array of talented musicians. While some delve into the land of heartbreak, others find their niche in making passionate music to make your bed rock. Though some have succeeded in those areas, only a few have mastered those mechanics. In the midst of 10 years, Avant has done all of that. Yet, he seeks more. From providing sapless romantics with hope in finding "the one", to elevating peoples' sex drives, he still feels he has more work to do.
Though Avant's last album Director went gold, the 30 year-old felt change was needed. He decided to leave Geffen Records, and join Capitol Records in hopes of finding new success. During his two-year hiatus from the music industry, the R&B craftsman began acting. He would go on to star in the play, "Love in the Nick of Tyme," and the DVD version of "First Sunday," both starring him, and Morris Chestnut.
Now, Avant has placed acting on the side, and has returned with his new self-titled Avant release. Ballerstatus had the opportunity to catch up with Avant to talk about his new album, joining Capitol Records, a duet album with Keke Wyatt, and much more. With Avant dedicating his time solely on music, you could expect the birth rate to boom right back up.
BallerStatus.com: The new video for your second single, "Break Ya Back" (In a Good Way), just aired not too long ago. What was your motivation behind that video?
Avant: Well really what I was trying to show man, was black love. You know back in the day, back in the 70s, when my mom used to show me some white film, I couldn't really make out what was going on. For my video, you could tell it was intense and heated. So that was what I was trying to bring across with that video. Take it back a little, show a lot skin, a lot of touching, and in your mind, you could take who you wanna take.
BallerStatus.com: First thing that came to mind, when I saw that video, was Ciara's "Can't Leave Em Alone". Was that a source of inspiration for showing extra skin, or just a mere coincidence?
Avant: It was a coincidence really because I was like "Yo I'm not afraid for her to hug me with no bra on, you know what I mean?" (Laughs) I was like "How far do you really want to go?" It was so tasteful. It ain't nasty. You know you could watch it with a lil shawty or whatever, without feeling like you're grossing somebody out.
BallerStatus.com: The past few videos you filmed, you had a real cinematic theme. For example, "4 Minutes", "Read Your Mind", "Separated" -- even the title of your last album. Did you ever consider doing something in terms of acting?
Avant: Actually that's why I took the two years off. I was really trying to dive into some movie roles. I was on "Barbershop 2" with Cedric the Entertainer on the L train. I was also in "First Sunday," the DVD version, with me and Morris Chestnut. I was really trying to dive into that and two different things going on for myself. But my love is so heavy for music right now. My fans, I just wanna show them that love. So yeah when I come back, they really wanna hear me. It's still heated up for me. I gotta give them that love and eventually I'll branch out and start doing the movie thing.
BallerStatus.com: Speaking of Morris Chestnut, I know you and him recently did a play together titled "Love in the Nick of Tyme." How was that whole experience?
Avant: It was real fun man. It was me and Mo's first time doing a famous play. We had Ella English, who was on the Jamie Foxx show. She was well experienced on Broadway. We had another girl. I forgot her name, but she was on "American Idol." She did a couple of plays in the show too. It was a more like ... it was a little different. On the stage, you gotta be on top of your cue every second. It ain't like music where you could be like "Every time I see you, I just get a bad vibe" (singing), and then sing the rest of the record. On this you have to have to the same energy every time when you come out on the stage. It was more challenging, but at the same token it was fun. It really was. Being around Mo, the rest of the cast, getting to know and connect with more people, really was a good look. Would I do it again? I don't know because to me it's like being in a singing group. You have to have everybody on the same page. Sometimes its gets a little hectic, and so I had fun doing it. I spent some good time doing that.
BallerStatus.com: Did you ever feel The Director album didn't necessarily get the attention it warranted in terms of sales?
Avant: You know what happened to the Director album to be all the way honest, is that it got caught up all the way in the shuffle because there was a lot going on at Geffen Records. That's why I felt it was time for me to get out the way because it was like I gave them a great album. At the same token, they were firing people and re-hiring. So the album didn't get the plug that it did deserve. So I was like "It's time for me to go." I'm glad I moved on because now I'm a Capitol Records. Capitol Records is good look over here. They understood my vision, and came hard with the first single "When It Hurts". I got many more. Hey if you think the last album was great, check out this one. It's 2008. It's a different look. A different sound. It's a different Avant, ya heard?
BallerStatus.com: With you opting to go to Capitol Records, after spending years at Geffen, was the transition process of switching labels smooth for you?
Avant: It was kind of smooth, but at the same time, you got to understand, I got 10 hits from those people. You had people saying "Wow, you gotta leave? Do you really gotta go?" So, a lot of people didn't want me to go, but I felt like it was my time, and I had to go. So the transition was smooth, in the sense of me needing to go, even though a lot of people wanted me to stay. Big ups to them over there. They're still working hard. Hopefully they could get themselves off the ground. I'm just happy to be over here. Capitol, they see exactly what's going on. They popped the first song off. It's doing well. You know, I got one hit with Capitol, now I'm looking for 19 more. (laughs)
BallerStatus.com: On the Director album, you featured Nicole from the Pussy Cat Dolls twice. Those records included the "Stick With U" record, and "Lie About Us". What was so unique about her being featured on the album twice?
Avant: Well what had happened was with that whole scenario was that "Lie About Us" was going to be on the album right? "Stick With U", they had their own version on their own album, but they wanted a remix. So, they called me in. I had my people vouch for me to get on the record. So I put my voice on the record, and everybody was telling me "Yo this record is hotter than the first one." I was like "We might as well just drop it on the album." So it was like one of those freak accidents that really just happened, but it's good that it did happen. It was a good duet. Everybody know. If it makes sense, then we could make it happen. I got a record right now that's out with Letoya Luckett. It got leaked some type of way. It was supposed to be on her album ... but I love the whole duet situation. After this album, me and my girl Keke Wyatt, we're going to do a duet album, period. I'm going to be doing cover, and also original songs. My focus right now is just giving people good music.
BallerStatus.com: A lot of these young cats are falling into the hype and are receiving contracts without understanding the essential behind the business. How important is to understand to understand the trades behind a contract, especially with you switching labels?
Avant: Well I would say it's very important to understand the business aspect of it, period. Also these cats gotta get in their heads that they're bigger than the music. That's the biggest problem I'm seeing now with everybody -- It's like "Dude, without the people you're nothing." You can't go south. You can't change it up, and do this, because you want to pull the people. You want to pull as many people as you can. You gotta stay consistent, because that's what they like. People are buying you because they like your music, not like you as a person. See what I'm saying? Just stick to what you do.
BallerStatus.com: You and Lloyd Banks had two records together. Those records were the "Exclusive" record on your album, and the remix to "Karma" on his. Possibility of seeing a best of both worlds album between you two?
Avant: Nah. To me hip-hop and R&B is two different worlds. It's ok to get a piece of it every now and then, but I don't think we should these two entities come together and then try to put everything into one perspective. That's what's happening right now. It's like you have two different whole genres of music that they're trying to put in one big pot, and say hip-hop is R&B. That's so unfair. That's so untrue. I don't think cats should do that. They should keep it tasteful because if you do too much of that, then what's gon' be so special about that?
BallerStatus.com: On your new album, you did the "Attention" record with Snoop. How was it to work with him?
Avant: It was beautiful. You talking about the Snoop D-O double G, ya heard? You know, for one you gotta have your conversation right before you could even get on the phone with him. You know, because you're going to hear a lot of "ya dig", and all type of Snoop philosophies. He's bringing the conversation, so you gotta make sure that you got your ghetto dictionary out or thesaurus or however you do it. Then you gotta make sure you could keep up in the conversation with Snoop.
BallerStatus.com: Not too long ago, you had a chance to be part of the super group TGT (Tyrese, Ginuwine, and Tank), but you turned it down, and apparently the group never came about anyway. Can you ever seeing yourself in a group, or do you feel solo is the way to go?
Avant: I think solo for me is the way to go because it's hard to basically be accountable for other people. Like if we have a wonderful record, and one person is sick and can't show up, who's going to do his part? Why ... When you're already successful doing your solo thing, that you wanna put that type of vibe up in your whole hook-up and shake things up that way.
BallerStatus.com: With a lot of the new cats catering to the younger generation in terms of the R&B game, being a veteran, what's your take on the new dudes coming up in the game?
Avant: I like what's going on because I feel like everybody has their own lane, feel me? Now I do have a problem with a new artist that's trying to get the big name rapper, and put them on their album. One, you're a new artist, don't nobody know you. That's not gonna help you. It could be a big hit. It could be out till the next year. But then, there going to say "Oh I want to hear the song that Lil Wayne is on." They don't know you. So you gotta watch how you do it. I think coming up in the game, people respected me, and understood what type of a person I was. So when I did the song with Lil Wayne, it was like "Oh it's Lil Wayne & Avant." Feel me? You have to make your name known first before you have Jay-Z, Lil Wayne, Kanyeeze or whoever because that's all they're going to know. All they're going to know is Jay-Z, Lil Wayne, Kanyeeze, because they're not going to know who you are. So you gotta make sure you're name is known first.
BallerStatus.com: Do you feel that way about any particular artist right now, in terms of piggybacking that hottest rapper?
Avant: I don't even focus in on who the next hot R&B artist is. I mean there's a lot of cats out there doing their thing. I don't believe in the whole beef thing. Like why is there beef in R&B when we sing to the ladies? I don't understand that. (Laughs) Like wow, that's so far out over my head. I'm just really trying to help them, and let them know that you should get all the shine that you can because you only get one opportunity really in the game to make yourself known. Don't hurt yourself, and have a hit record in, which nobody really knows you on.
BallerStatus.com: Is there anything else that irritates you in the R&B game?
Avant: Not necessarily. I mean we sing for the ladies. I don't got time for these brothers. If I took time to say "I don't like dude," or "he don't like me," how would that help me if I was trying to sell out a concert? It don't make sense to me.
BallerStatus.com: Let's say you have a lady at your house. What personal record of yours would pop in the CD player to set the mood for your lady?
Avant: Wow I can't even listen to my music man (laughs). If it was any record I had to listen to, it'd have to be (singing) "Don't Say No, Just Say Yes." Man no man wants to hear yourself when he's about to go down there (laughs). BallerStatus.com: Your album just dropped, why did you choose to come out in the fourth quarter when the competition is normally stiff?
Avant: Man when I got back in this game, I was about making game music. I didn't care who was going to be in the fourth quarter, and what was going down. It was all about me giving reality music. I feel like that's what they're missing right now. There missing that Luther Vandross (singing) "Don't You Remember You, Told Me You Love Me Baby," nah mean? All that. That's what I'm bringing to the table. So hey go pick up the album. I don't care about no fourth quarter. Man if you're talking basketball, that's when you win the game anyway. (laughs) The fourth quarter baby. Shoot or dribble. What you gonna do?
BallerStatus.com: In an interview you said you wasn't ready for a relationship. Do you feel the industry can't allow you to remain faithful when you are in a relationship?
Avant: I don't think it's the industry itself. I just think it's the nature of the beast. It's gonna be hard to stay faithful because you're out all the time. You're in front of your fans all the time. Not only that, but it's like you don't have time for your relationship. You don't because you're trying to cater to everybody else. So it would really be unfair for me to say "Baby sit down, and I'll be back. I gotta go to Japan for a couple of months, but I'll be back, so we could be cool." So it's really unfair that you're taking somebody else's quality time, when they could spend it with anybody else. Now some people are designed for that and are ready to make that happen. There's a lot of young ladies that say they are, but they're really not.
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Curren$y Interview: HipHopGame.Com
HHG: First off, on the snippets for This Ain't A Mixtape, one line that caught me was, "Watch Brian to hear the peanut butter and jelly song." I'm assuming you're a big Family Guy fan?
CY: Yeah I love Family Guy. Who doesn't? You know I watch it all the time. High or not. It's good material. It doesn't really matter if you're high or not to watch because Family Guy is quality programming either way.
HHG: You said you're rarely found clubbing because DJ's are hating on you. Do you feel the DJ's are particularly responsible for this hip-hop recession?
CY: Nah. I mean they gotta play what's hot. It's their job to make people move. You know whatever is hot--if the general public like a certain thing, they gotta just play that stuff. The only thing I feel is that it's bigger than that. I feel like some DJ's they could give people a shot though. Instead of just playing some other shit, they gotta look for what's new. They gotta take what's being sent to them. That's part of the machine(record labels). They have to work under the machine. At the same time, you [DJs'] have to look for that shit too man. They gotta bring it back to how it was.
HHG: I remember DJ's back in the day, it wasn't even about playing the hottest single.
CY: Right. They were records like "Oh you didn't hear this. You don't know this." It was whatever was the new shit. It's that shit. Original shit..... The way it is right now man, the system, the only way they get through, the only thing the machine isn't filtering out, is the stuff that's out. So you gotta sound like that, to get in. You know what I'm saying? But, the DJs, I feel like with some DJ's--who I'm not saying are all guilty--but some DJ's instead of just playing what's given to them, they have to do some looking too.
HHG: Like get in touch with everything?
CY: Yeah man, they gotta get in touch with everything. There's all kinds of people bro. That's why I just be saying some DJ's are hating because they ain't really taking a chance to be one with music.If you a DJ, you gotta at least play what you feel. I think some DJ's are guilty of not even being true to themselves. You gotta play what you feel. I'm always gonna rep what I want. You gotta be true.
HHG You have the Mythblazers going on at The Smoking Section. Would you take part in the Smoke-A-Thon, with Juelz, B-real, and Snoop?
CY: Oh I would love to do that! I would prefer to smoke joints though man. Blunts be real hard on you dog. So that might just disqualify me, but I would love to get in it. So you know, line it up bro.
HHG:So is that an open invite?
CY: Yeah if it's going down, come on man, I'm with it.
HHG: A lot of artists get high to record tracks because they feel free and are at their highest peak of creativity. Do you feel you're at your record at your best when you're high?
CY: I don't know. This is why I don't know no more. Last year i took a little break, and stopped smoking because i was recording a mixtape. Some of that shit i recorded were like some super Kill Bill shit. So I'm like I don't know no more. I would rather be high cuz I'm comfortable.
HHG: You know what would be cool? If you did like a show with Bam Magera or like of of those dudes from Jackass mixed with Mythblazers. Would something like that interest you, if that came about?
CY: Yeah man! Yeah! You know what's funny bro? You remember X Games two years ago when Travis Pastrana did like two flips with the motorbike, broke records, and all that kind of shit? That's my homie, so I don't mean to downplay what he did. He called me, and wanted me to sit in a car, while he jumps over the it, and I FUCKING missed out! I was in New Orleans, and I was wrapped up. I didn't get the message because it was too late.
HHG:On a serious note, when you look at Young Money right now, Wayne gave them a lot of play on the Dedication mixtape. The album is on the way too. Do you feel Wayne didn't show as much attention to you as he does to his artists now like drake, and Jae Millz?
CY: Well I haven't been really watching that situation, you know what I'm saying? At the same time, if that's the case, it's understandable because now he has a different spot in his career. He's done so much shit, and had so much problems, he probably had some time to do it now. What I can tell you is, This Ain't No Mixtape will be out in March. (laughs)
HHG: With This Ain't No Mixtape, why did you decide to push this album independent, rather than shop it around with some major labels?
CY: It's like what i saying about the machines bro. I don't know if you heard the snippets of the album, but i played the snippets for quite a few majors. Everybody agreed that it was great music, and they made offers, but it was like DID YOU HEAR THE RECORDS!?!? Are you sure that you heard them? I figured that nobody really knows what we're trying to do for us. So actually with the way it's going is, I'm going to drop This Ain't No Mixtape, which is totally produced by Monsta Beats. It's like I came over here bro honestly to do a couple records to round out my shit, and the sounds was so me. They actually threw in some different sounds where i did so much shit, and to try to pick which one I would go with, and we were like we got one here. As far as the machine (record labels) and all that goes, I'm gonna build my own machine man. Like I know where all my fans at, all my followers. They already understand that they don't hear the real shit on regular channels, or avenues no more. They know when they turn on the radio, they ain't gonna hear that shit. Thank God, Wale, & Charles Hamilton are on MTV Jams man. That's the highlight of my day. To see some people that were on the cover with me (XXL Magazine), and represent this new shit. Both them boys got videos.
HHG: It's good to see you guys like Charles, Wale and the other rappers from the XXL cover for the new school can have such a camadaire. People would expect you guys to bump heads, have egos, and clash.
CY: Because we all here for the greater good. Like I was a fan of rap when I was younger. I always tell people if I was a kid right now, I wouldn't want to be a rapper, because I don't really like the state of the game. I don't really like the music. When I was in school doing my thang, I knew a bunch of shit, but through music, i was hearing intelligent music. The Tribe was out. Camp Lo was out. All kind of shit was out. I feel like all the people on that cover, they were all fans of that era too. I met everybody. So we all talked, and had a chance to see what's real. I just wanna see everybody do there shit, because I know they're thinking the same thing. So when I see Wale's video, B.O.B's video, Charles Hamilton's video, it feels like I'm watching my shit, cuz these are the same people who graduated with me. Like the same class, you know? But I think my way to do it is the way I even got my buzz. I was just dolo man. I had to break away from a situation that people felt was better for me, because of how much limelight i coulda been getting. But a part of that, wasn't mine. I gotta get mine. I feel like there's no room for egos, we just trying put the game at a different state than what it is right now.....
HHG:You had the "Where The Cash At" single with Wayne and Remy. The record did receive pretty good feedback. What happened to prevent your project from going further man?
CY: I don't know.(long pause) I don't know. I don't know yo. I ain't really try to figure it out. It's just once i realized the car wasn't moving no more...
HHG: Do you feel like it was a sense of selfishness from Wayne's end?
CY: I feel what you saying. I just don't know man. I ain't even to figure that out. I wish I had the answer for you man, but for you to recognize that there was a situation, that shows there obviously was something. I didn't look to figure it out. I was like "Well ok, there's no gas in this car, so I just gotta switch whips and go." I don't really know. At the end of the day, that's why there's no love lost.
HHG: I've heard since December you had over 200 records stashed away. Any particular reason as to why you're hidding so many tracks from the public?
CY: Just because I put some much stuff out on the mixtape. I felt like I needed to stock up on some original shit. I had people gearing up for this album. I was recording with different producers, and that's why I had so many records. I told you, I only wanted two tracks from Monsta Beats, where I got seven instead, and it gotten to a point, where it ended up being amazing. That's why I got so many records. For each situation I was going into, the music I was bringing, I was gearing up. I got a ton of shit.
HHG: So after this album, are you just going to release those tracks on mixtapes?
CY: Yeah what i think I'ma do man is once i put this(This Ain't No Mixtape) out, and we start working on other projects, I'll start putting those records out. It's just I'm sitting on them right now, and it only gets better with age. So it's alright.
HHG: Fly Soceity is name of your movement. How important is it to secure a comfortable place in terms of a label in order for Fly Soceity to grow?
CY: It's the only objective. That's why I haven't signed a deal yet. Everything gotta be straight. I want my dudes to have production shits. I want these niggaz to have deals for their shits.
HHG: So is the plan to basically to become successful, break into mainstream and then emerge as a CEO?
CY:That's all in the plan man. I've been taking bumps and bruises since forever with this rap shit. So I've really seen a lot. Really my plan bro is to drop a classic underground album that then will bubble onto the mainstream. Then my lane will be called, and then that lane will be called for all my friends, because we're all on the same level just trying to bring that real music. Then maybe I'll just do two more albums. I'm not saying like over a span of how many years or whatever. I'm not going to be rapping for a long time.
HHG: Did being on the cover of XXL bring additional pressure in terms of succeeding this year?
CY: Hell yeah man! I don't want to be on that motherfucker at the end of year. You know when they do the cover again, they'll also follow up on us, and give us progress reports.They're not going to be like "Oh well, Curren$y got the cover, and fucking stopped making tapes. He fucking didn't do shit" So nah man, "Spitta got the cover. Spitta hooked up with Monsta Beatz. Spitta put out a Independent album--underground, digitally". That's what it's going to say.
HHG: On another serious note. When you were with Young Money, a lot people linked you and Wayne as like one of the same, because you guys had vastly similar styles. During the time you were there, Tha Carter II was out. Did you write any tracks for Wayne on Tha Carter II?
CY: I did not write any portion of Tha Carter II. I'm a cool guy man. My presence is a motherfucker.
HHG: On the Dedication 3 mixtape, there was a skit, in which it sounded like Wayne was throwing shots at you. What did you think about that?
CY: Yeeaah. I heard it. First, I heard about it, cuz then i didn't really care to hear it. Then I heard it, because I wanted to make my own personal decision on how I felt. But I'ma say, I don't think that's for me. I've been gone for fucking two years. I don't even think it was about me. When did that album come out[Tha Carter II]? 05-06? So I don't think in 2008, he would direct his skits at me. I'm chilling.
HHG: You don't take anything to heart do you?
CY: I'm going to keep doing my shit bro. I figure the reason I don't get so out the way and shit, is cuz like as long as I keep doing what I'm doing, you can't deny the shit. No matter what you have preconceived for me. People write me off, but once they hear the shit, there's nothing they can do. I'm just waiting in the pocket. I'm chilling. I already have Lambogini Keys in my pockets in my mind man. (laughs)
HHG: So how's 09 is going to be your year?
CY: Because we just gon do this shit ourselves. When you doing the shit yourself, its yours. So everyday, and every minute of this year, we're going to be doing it ourselves. Therefore, we own everyday of every moment this year. This Ain't A Mixtape album In March Homie.
HHG: Any parting words for the fans?
CY: March man, This Ain't No Mixtape, totally produced by Monsta Beatz. TK, his hew Supra shoe will be out soon. We have pictures up on his mixtape. We having the sour diesel. We having a good time. We rap, hustle, and we're doing it independent. Credit Spitta for repping New Orleans hard. You could print that.
Saturday, March 7, 2009
Juelz Santana Interview ( HipHopGame.Com)
HHG: Funny thing is, I was on WorldStar the other day, and I was looking through the videos. You said you were the first rapper with the Dodge Challenger a couple months back. I'm curious to know, are there any new toys you got right now that these rappers ain't up on yet?
JS: You wanna know what's funny? Ain't too many cars come out. I'm waiting for the new big, big toys to come out. You know the Lamborghinis, the new bodies of the Phantom, the new bodies of the Bentleys. Ain't nothing intrigue me lately. You know I got a lot of toys. I'm real young you know? I feel like I'm a hated dude already. I mean I'm 26. I just turned 26 last week. I got a Rolls Royce. I was already ahead of the game with the cars. Even the Challenger, I felt like that was something extra. You know I was always in love with the muscle cars. Ain't too many toys that intrigue me. I like that Audi though. That R8. I really dig it though. I'm just plotting right now.
HHG: You know how and you were Jimmy were big on the phrase "Ballin". I know you guys have "Splash" too. Are there any new lingo you guys have now for 09?
JS: Oh yeah. We have Sheesh.
HHG: What's that? (laughs)
JS: It's just Sheesh. Yaaa Diigg. It's like when you see something crazy, you go Sheeeshh.
HHG: Cool. Well recently I interviewed Curren$y, and he was interested in the Smoke-a-Thon. What's going on with that?
JS: You know, I had mentioned the Smoke-A-Thon thing to my man who reached out on the internet. It came about when I was telling him how I love to smoke, and he got me and Snoop together. But, it kind of got blown up real fast. People on the internet took it, and made it seem like it was going to be some big Smoke-A-Thon. At the end of the day we're artists. Having a Smoke-A-Thon is illegal. People at the end of the day were kind of implicating. That's why you ain't never really see any more blogs from me. I wanted to sit down and do it the right way with Snoop. You know, maybe get a movie deal on some Chi-Chi-Chong type of shit ya dig? Cuz I would love to do it the way it has been promoted, but realistically it'll never happen without 100's of people getting arrested. So we need to figure out a new way to do that. I'm trying to reach out to my man Snoop, and hopefully we could do it the right way. We could get some cameras out there, and make it right.
HHG: Let's switch gears real quick and talk about SkullGang. I know you've been pushing the group real hard. What's been going on in terms of an album?
JS: It feels like an album came out. We just put the mixtape out. We're working on a compilation mixtape with Koch right now, that's scheduled to come out in like April. I'm still figuring out how we're going to do it. We just doing up the streets right now. I got my mixtape coming out. Shout out to the Boss Mob Entertainment. They're coming up. They're my niggas. You know what I'm saying.
HHG: What's the name of the mixtape you're going to be dropping?
JS: My mixtape is called the Reagan Era. It's called the Reagan Era. Reagan Era (Better Late Then Never). You know what I'm saying? I had people waiting for a long time. I felt like you know it's only right. Believe me though; it's going to feel like an album. It's going to be a real spectacle. Listen man. This is free pay-per-view man. There's no reason to change the channel. There's no reason to pay for basic cable no more.
HHG: Being that Skullgang is led by you; have you tried to implement some of the things that made Dipset into this group?
JS: No and yes. When I say no, it's as far as me creating another Dipset. At the end of the day, we still fly high. How can I try to create something that's already here? Something that's so unique? Even the sound. For one, we have an R&B artist that's in Skullgang. Diplomats had none. I have a dude from VA representing the south named Richmond Rabb. I have a dude from Queens. As you can see right there, there's nothing I was formatting together, like an electronic copy of Dipset. I knew at the end of the day, we were the only ones that could do the things we did as Diplomats. It was just all about me growing, and eventually being my own boss. Jim has Byrdgang. When I say rep, some of the ways I did it was more or less like business ways then regular strategies that I knew worked for us in the game as far as work ethic. As far as putting out material. As far as doing things that other people are not doing. Doing those things; Attacking those things. That's why we worked real hard with the internet. A lot of our buzz came from that because we attacked it so hard. We did a whole lot of videos. I did the Santanuary. You know what I'm saying. Right now we're gearing up for March Madness. I have a lot of good talented people around me that understand the game, which is a beautiful thing. I'm just happy for that. That's why I say Yes and no as far as me trying to implicate any of the things of Dipset. I do as far as work ethic, but not as far as trying to copy what the Diplomats is. That's why I tell people, even though me and Cam are not doing business, I'm still Diplomat for life. I'm never going no where. I just can't do bad business. If you can't respect me for that, then you just can't respect me.
HHG: What intrigues people is how do you deal with the distractions in terms of the Max B situation?
JS: Nothing really distracts me because you know as far as Max B, he can't really say anything about me anyway. I've never really been around the dude like that. I don't know him. He more or less has feelings for Jim. For anything to be said about me, it just rolls off my shoulders. I know where it’s coming from. You know sometimes people tend to say things just because they want to affiliate my name because it sounds good. He was never a distraction for me. Never. The only distraction I ever had was the bad business situation I was in which was stagnating me from being on all the features I wanted to be on, and making the news I wanted to make. As far as dudes talking on the sidelines, I honestly don't pay them no mind. At the end of the day, I deal with reality. I deal with real situations. I know how much the internet hurts people. So me commenting on anything, or trying to come back at somebody just gives them the power of what they need to get more attention. I never really responded to too much of nothing on the internet. I just produce my own cartel which is flyness. Swaggeriffic. You're not going to see me boasting or talking a whole lot of non sense on the internet. One dude asked me over the internet, the one time I was on Myspace, he says "Yo Juelz, I keep seeing the same cars in these videos man like the Phantoms, and the Bentleys." I say "Yeah because they're mine." If I was renting them, then of course I could put a different car. I'm trying to show you what's real. I'm not trying to fabricate to you. I could show you the title. The bank receipts. Not the Bank lease. Some niggas got bank receipts, and some niggas got the lease. I got the bank receipt nigga. Stop playing with me. I tell niggas " I don't get a car note. I get a notice. The cars paid for, and I already know this.
HHG: As far as the distractions, normally a lot of rappers would air these issues on wax. What prevented you from doing that?
JS: I can't pay these dudes no attention. If I was to jump, and get in the mist of fire with anybody, it would have to be somebody real deep. When I say real deep, I'm not trying to discredit anybody, but I'm not going to give anybody some unnecessary attention. If I feel like there's a reason for me to address you--if there's something that's bothering me--because when these dudes talk, it doesn't really bother me. That shit just go in one ear, and out the other. I understand. I understand what cameras do. See I'm a nigga that thinks a lot. I understand what cameras do to people when they get cut on. I understand how a person could be one way when a camera is not on, but just be a totally different person when the camera is on because I understand these type of things. It's the people that don't understand those types of things like, I know one thing. I'm the type of person, I always take 24 hours to do anything. You know how people see something on the internet, then they might call their man an hour later and be like "Yo I need to do this response real quick." I always give myself 24 hours before I do anything. It's just like if somebody comes up to you and slaps ya man. You always react. The best reaction comes 24 hours later when you already thought about it, because you get to really think. You get to think about all the outcomes like "Yeah I could go pop his head off." Cuz listen if I'm going to address some shit, it's going to be some shit. Only reason I didn't address the me and Cam situation for so long was because people kept asking me about certain things like "Well you know we're not doing business together. What? You're just not going to say nothing?" Yo I gave people a little bit of what they want, and I still didn't even get into a quarter of the story. At the end of the day, my career isn't built on controversy. My career is built on being an artist.
HHG: I noticed like you happened to be real big on loyalty. In a past interview I read how you said you could only be loyal for so long.
JS: Yeah there's a thin line between loyalty, and stupidity man. I was loyal for a long time, and being stupid because, for awhile I knew what was going on too, and I still didn't address it. I didn't know how to address it without it like getting to a point like it's at now in terms of doing business together. I was being stupid for awhile trying to be loyal. It was like my manhood was taking over. If we were really suppose to be brothers then how could you do your brother like that.
HHG: An average person could have been able to tell that something was up between you guys, because the only real feature people heard you on during that time was Wayne's "You Ain't Got Nuthin".
JS: Definitely. You know I was stagnant. I couldn't do a lot of the features and shit, but that's neither here or there. I'm free. I'm more than happy right now. I'm so far ahead of the game. Like I said, I'm in boss position right now. I'm 26 years-old. I know so much. There's a lot of niggas scared of me. They know I'm in a great position right now. I'm just going to take advantage of the position I'm in now. I'm not really going to dwell on the past. I'm not going to be harboring over what happened. I gotta worry about what needs to happen, and what's going to happen. At the end of the day, I wish Cam the best of luck in his endeavor. I'm not trying to start another Dipset. I'm just trying to do me. I'm trying to help the people around me. You know, give them the opportunity to not treat them the way I was treated. At the end of the day, it's not going to be easy for him to get out, and create a Dipset.
HHG: Funny thing is, the other day, Cam was on MTV speaking on how he spoke to everyone including Jimmy, but today, Jim comes out, and denies a conversation even taking place.
JS: Yo I can't even comment on that for the simple fact that I don't know. I don't know what happened either. When I heard the comment of him speaking to Jim, I heard it the same way. I'm sure Jim would have probably called me, and let me know if he spoke to him. Then I heard the same thing you heard, because you know, things happen so fast. You know, Jim is gearing up for his album right now. So we don't even get to see each other a lot since he's on his promotions tour, and I'm in the studios working on so much shit. But like he said, I haven't spoken to him.
HHG: The thing that confuses people since you guys portrayed such a brotherhood, is what keeps brothers from talking for so long?
JS: You know what I think it really is. I think it's easier to talk to somebody when you kind of expected to. It's like when you don't expect nothing from your brother that's what makes it so hard. That's what people always think. Like "Damn, if it's such a brotherhood--which is true when you really think about it, then it should be easier for people to get over it. That's what kind of makes it harder my nigga. It's like when you sit there and you don't really expect nothing. It's like if you with the new nigga that you just met yesterday, and he runs from a fight, but you with your man that you knew for ten years, and he runs from a fight, you might be speaking to that nigga you met yesterday. At the end of the day, he might say "Yo, I'm not built like that. I'm a punk. I wasn't ready for that type of shit." But your man, it's just like nah. That's what I think makes it much harder, the fact that it's coming from somebody that you just don't expect, and that you just hear. It’s just harder to believe that they would put you in that situation.
HHG: Switching gears. When you made the track Who Am I off the Diplomatic Immunity album, did you feel like people didn't understand you, or there's a misconception about you?
JS: I don't think there's too much of a misconception about me. I feel like you know I have yet for people to tell people who I totally am. I don't think there's a big misconception. I don't think people say too many misconstrued things about Juelz. I don't, I really have such a label on me being a great artist that hasn't gotten the proper shine he deserves. Besides that, I don't think they've gotten to know me enough.
HHG: Another track is the Lil' Boy Fresh off your last album. You delved into the harsh realities of the streets. How important is it for you to expose that in your music?
JS: Oh man it's beautiful. That's where I come from. That song is actuality based on a movie, and a reality. It was like a movie I've seen that was so similar to a reality that I knew. The movie was called Fresh. That story was so similar to a story so close to home. That's just the art of music. I'm an artist that just puts real content; and not really beat around the bush too much. Of course it’s entertainment. I may do things that are eye candy, but at the end of the day, I definitely feel that I'm one of those artists that's more real, and adds more content to the music.
HHG: I've been hearing that you've been getting your Will Smith on with acting.
JS: Yeah. I did a little test runs with the acting. You know, reading scripts, and trying out. The movie I actually did was about 3 1/2 years ago. It was a movie called The Project. It was real low budget. I just came and read my lines on the spot. They said it won a couple little awards in the film festival. I haven't actually seen the finished product yet. I'm definitely going to be branching out on everything. You know, I'm a fly guy. I'm from Harlem. So I definitely have that Diddy run. I wanna have one of the biggest labels, which I wanna do with SkullGang. I wanna make that like a Bad Boy. That's what I want to do with Skull Gang. I want to make it how Death Row was. It's more like a label. It's not like a crew. It is a crew in the music, but at the end of the day, it is a certified label.
HHG: Speaking of certified labels, you're now at Def Jam with the likes of Nas, Fabolous, Jeezy & Ludacris. How important is it for you to make sure you're a priority instead of being a disgruntled artist?
JS: I mean, pretty much, I like to lay a lot of my groundwork. I pretty much understand the linguistics of how a label works, even though they do have a lot of faith and belief in me. They feel I haven't reached that mark that I need to reach. I know a lot of the times the label waits for the artist to lay out that ground work down. If you're an artist that waits for the label, then you're going to run into those troubles sometimes. So me, I'm always going to get myself hot. Just keep the ball rolling for me. That's what they like to do. That's what they wanna do. They're not really sacrificing a lot. So you gotta sacrifice it. That's my motto right now: Sacrifice for what I believe in. I believe in me. I believe in SkullGang. So if I gotta sacrifice what I got for what I believe in then fine. That's one area I think missing from the game. People sacrificing what they believe in.
HHG: Speaking of the game, because I know you've been watching from the sidelines the past couple of years, what is your outlook on the game?
JS: Ah man.
HHG: You don't sound to pleased (laughs)
JS: It's not too pleasing. You know, it's different. That's all I could really say. It's different. You know I'm young artist. I came in listening to hip-hop. I was a hip-hop head even when I was on the corner in the streets. So I definitely know the essence of hip-hop from the start to where it's at now.
HHG: The people have been dying to know. When are you and Wayne going to drop I Can't Feel My Face?
JS: I'm not even going to promote it no more. I'm done promoting that album. Not in a bad way but, you know, the album is done, which I keep telling people. It's just the politics. I wish I could just give all the music out.
HHG: Why don't you guys just drop it as a mixtape if anything?
JS: Yeah we're gonna have to do that. I'm going to call Weezy and let him know that we gotta give it out. The music is going to get old. It's gonna get to the point that we're not going to want to put it out. So we might as well just do it. Like I tell people, the music is done, and that's the best thing about it.
HHG: Now as for Born To Lose, Built To Win. What's going on with that?
JS: Yeah, yeah. That's the prize right there. That's my Get Rich Or Die Tryin' right there.
HHG: Sounds like you're trying to bring about a classic?
JS: Yeah, yeah. I'm defnitely trying to bring that classic album. You know, something niggaz could bump for the next ten years. I feel like the title is so perfect. It definitely means a lot to me. It means a lot to everybody because that's a situation in that we're all born to lose man. You gotta build yourself to be a winner.
HHG: Any tracks, producers, or features you could mention?
JS: Stay tuned. That's all I could say. It's going to be a motivational album. When I say that, I mean for everybody who loves music. It's going to be a like a breath of fresh air.
HHG: Now, we're going to switch it back to Cam. The allegations that Cam said about you being addicted to syrup. What's up with that?
JS: As far as what? I told people. It's been out there. I was always drinking sizzurp. The syrup I wasn't addicted. As far as for him to say I was addicted, it was just stupid. I wasn't addicted, I was drinking it. I definitely drank it, when I felt like drinking it. The only thing that really made me upset about the whole thing was the fact that he tried to compare it to crack. As much as it offended me, it was kind of ignorant. I've been sitting in the studio sipping lean, and everybody as far as other artists might not have drank it, but asked like "let me see what that is." Those were like big artists. I don't think if I pulled out a crackpipe in the middle of a session, and started smoking, niggas would be like, "Yo let me get that." For him to compare it to something like crack is like come on now. It's like you just trying to pull wool over the people's eyes. I wasn't addicted, but yeah I drank it. I don't drink liquor. I never popped a pill. I know niggas that popped pills. I never popped pills. He acted like I was out there doing wild drugs. Like come on man. Get the fuck out of here. I was really offended. I actually haven't drank sizzurp in the past two years, but Weed I'm addicted too. (laughs)
Link: http://www.hiphopgame.com/index2.php3?page=juelzsantana2
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